The podcast that looks back at female-driven films from the not-so-distant past.
Glenda Jackson Crazy - Salome's Last Dance - BA052C
May 11, 2018 12:33 AM PDT
By 1988, Glenda had made six films with Ken Russell including THE MUSIC LOVERS and WOMEN IN LOVE. But though Ken didn't quite have the clout he once did, Glenda was still loyal and totally game for this high-camp, theatrical, romp complete with loads of boobs, dildo-spears, and some baffling full frontal nudity. Glenda (braying, bilious and bejeweled from head to toe) is Herodias, second wife of Herod Antipas, who has the hots for his niece/step-daughter Salome, who in turn has the hots for John the Baptist. Now imagine all this being acted out in front of Oscar Wilde himself, by a cast of bootboys and skivvies. MARAT/SADE seems tame by comparison. We discuss Ken Russell, Wilde, our own personal nudity, and the Gospels, of course.
Clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks).Glenda Jackson Bad - A Touch of Class - BA052B
May 10, 2018 12:54 AM PDT
You know when the Academy gets it (horribly) wrong? Well, sorry Ms. Jackson, but this is one of those times. A TOUCH OF CLASS was one of the films that inspired Broad Appeal; we tuned in for a scathing 70’s satire of feminism and sexual mores starring one of our favorite actresses. Only to learn that the film is more like a juvenile TV sitcom that got to play its cancelled series out in one extended episode.
Glenda plays Vicky Alessio, a rag trade divorcée who gets involved with brash American dirty dawg George Segal (and who never seems concerned about her children's whereabouts). A searing sex comedy this is not. A messed up, kinda funny, outdated, ridiculous mess it certainly is. And don't just take out word for it, take a look at the faces of Ellen Burstyn, Joanne Woodward and Marsha Mason when Glenda nabs it.
Clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks).Glenda Jackson Good - Sunday Bloody Sunday - BA052
May 08, 2018 11:43 PM PDT
She's served you withering stares on screen as well as in the constituency of Hampstead and Highgate. Of course we’re talking about Glenda Jackson MP, who as far as we know is the only British politician whose own boobs were used against her by the opposition.
Glenda's place is in our hearts and in the House of Commons, but also firmly in 1970s cinema history. With two Oscars wins within four years, her career symbolised a potent change in roles for women. Nestled between her two awarded roles is SUNDAY BLOODY SUNDAY - a bisexual love triangle, a nuanced social commentary and a great study of how rotary telephones used to work. If she deserved a second Oscar, it should have been for this subtle sexual roundelay about liberated libertines who discover that trying to have it all is not all it’s cracked up to be.
Clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks).Cate Blanchett Crazy - Hanna - BA051C
April 26, 2018 11:46 PM PDT
With an actress of a particular brilliance there's a special register of performance called "good-bad" acting. That's right, GOOD and BAD at exactly the same time (for more examples of this, please check out Meryl Streep's entire body of work post-DEVIL WEARS PRADA).
In the case of Cate, we have HANNA. A frenetic, baffling, high-octane and enjoyable thriller with our favourite Irish cailín, Saoirse Ronan, out there breaking people's necks like all girls do at that age. In Blanchett's Marisa Wiegler we get a drawl so far south that voiceless alveolar stops are practically non-existent! In place of of /t/ sounds we get kitten heels, a great wig and an unstoppable urge to neutralise a little girl. Hanna? More like HAMMA! But we loooove what she doooooees.
April 25, 2018 11:12 PM PDT
It is said that every Irish person remembers where they were when crusading journalist Veronica Guerin was killed. But when the Cate Blanchett movie about Veronica was released, it seems that not enough people remembered to go to the cinema… Despite being a Jerry Bruckheimer/Joel Schumacher Hollywood production, the film has some estimable Irish credentials: authentic Dublin locations, an impeccable accent from Cate… and Brenda feckin’ Fricker as her Mam!!!
Not so much a “bad” movie as a horribly worthy one, it does feature small pleasures like Colin Farrell’s sexy neck tattoos and Cate’s Princess Diana hairdo. Brian learned a lot about the Irish underworld, but Seán still can’t get the maudlin sounds of “Fields of Athenry” out of his ears. Saint Veronica, pray for us!!
April 25, 2018 12:14 AM PDT
Category is: Greatest Living Actress. For all the Meryls, Juliannes and Sally Kirklands, there's another whose name gets on that list. She's Galadriel, she's Carol Aird, heck she's even Bob Dylan! She's Cate Blanchett. Brian is a sucker for a plummy mid-Atlantic accent. Seán is hesitant. Or is he? He really can't remember, either way he saw the CHARLOTTE GREY trailer way too many times.
In her breakthrough role as Queen Elizabeth Numero Uno, Blanchett has notes of Streep, a hint of G. Jackson and that certain mouthfeel of a full-bodied Aussie that only an Antipodean lends to a legendary Anglo Saxon. ELIZABETH is not subtle, but it gets you drunk, perks you up and makes you feel a little sexy. And isn't that all you want in a Shiraz and an Actress?
April 13, 2018 12:17 AM PDT
Crazy has many meanings, and in SLEEPING WITH THE ENEMY it’s what young wife Laura (Julia Roberts) discovers her husband to be when he obsesses over the arrangement of hand towels or the alignment of canned goods. But hubby Martin (Patrick Bergen) is more than just slightly OCD: he’s a violent psychopath and Julia must fake her own death to escape him.
In her first big starring role after her breakout success, Julia is a woman in jeopardy - putting on aliases, wigs and even a fake mustache all in hopes of starting a new life in Smalltown, USA. At the centre of the the implausibly schematic scenario, a very youngJulia dampens her usual brightness to play a woman traumatized by fear - but learning to fight back.
Drink your V8, Shelby!
April 11, 2018 10:49 PM PDT
When the 21st century bourgeoisie are lined up along the barricades and made to pay for their crimes, Julia, Ryan Murphy and (most of all) Elizabeth Gilbert better hope that our proletarian overlords are feeling particularly generous. EAT PRAY LOVE was a pre-credit crunch piece of best-selling self-help travel porn that had the misfortune to be made into a film once the world had gone tits up.
You know you’re in trouble when even America’s Sweetheart struggles to make a protagonist remotely relatable. Julia slurps spaghetti, mouths mantras, and basks in Bali, all to… find herself? Get over a divorce? Fulfill an insanely generous book deal? No one knows and no one cares - except Seán who has found the latest entry to round out his syllabus for The Cinema of Repugnance.
This execrable oddity just barely avoids torpedoing the goodwill Julia has accrued over all those years. But as they say, “If you don’t accept me at my bougie-est, you don’t deserve me at my Brokovich!!”
April 11, 2018 01:52 AM PDT
Science has proven that Julia Roberts’s smile shows more teeth than any other human’s (except possibly Brian’s). Is this the key to her movie star longevity? Quite possibly they got her her start. But something more must have kept this woman in our hearts for so many years.
NOTTING HILL attempts to answer this question and many more. An awkward Brit bookshop-owner (Hugh Grant) is unexpectedly snogged by a movie star who seems very much like Julia Roberts (Julia Roberts). What follows is the most self-consciously meta romantic comedy of all time in which one movie star plays herself and the other pretends not to be.a movie star. Julia/Anna may be just a girl standing in front of a boy, and this may be just another formulaic Richard Curtis joint, but there’s enough commentary on stardom here to fuel a dozen monographs by Richard Dyer. Grin and bear it!
March 30, 2018 02:26 AM PDT
What do you get when you combine ultra violence, a political metaphor and a kick-ass heroine? The answer? A Seán Film. Also known as STRANGE DAYS, from the mind of visionary director Kathryn Bigelow and bonkers ex-hubby James Cameron.
The year is 1999. People are scared. They're jacking in to a weird bootleg neuro-hardware called SQUID. And like the internet, it begins as a bit of fun, then becomes porno and ends up as a toxic, racist, hate-dump.
Only (sexy!) Ralph Fiennes and a kung-fu kicking limo driver mom (who was also once a waitress?) known as Angela Bassett can save us all from getting totally fucked up! In the midst of it all, a flawed but fascinating commentary emerges (dreamed up by two white millionaires) about the institutional violence of the LAPD in a post-Rodney King world.
STRANGE DAYS is a miasma of brutality and brilliance, excess and truth. Angela saves not only the movie, but our future.
Broad Appeal is Seán McGovern and Brian Mullin, two obsessive gay boys with an all-encompassing love of actresses. Listen every 2 weeks for some irreverent, incisive and engaged entertainment. Our current season: THE GOOD, THE BAD AND THE CRAZY looks at career spanning moments of some of our favourite actresses.
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