The podcast that looks back at female-driven films from the not-so-distant past.
RE-ISSUE: Jackie Brown - BA039
August 16, 2018 05:27 AM PDT
[All too soon we'll be debating the merits of Tarantino's ONCE UPON A TIME IN HOLLYWOOD, so why don't we return to our discussion of a movie that we can all agree is actually his best?]
An air hostess, a gun runner, a bail bondsman, a sun kissed dope-bunny and his boyfriend Brian... but enough about our holiday! Elmore Leonard's RUM PUNCH was adapted by Quentin Tarantino into JACKIE BROWN: a grown-up, low down, sly and slick piece of filmmaking.
Tarantino, auteur and fanboy supreme, made the canny alteration of turning a sultry, middle-aged, blonde white lady into Pam Grier, icon of blaxploitation and commanding leading lady. Tarantino's film is an exemplar of adaptation, both pulpy and slow-burning, tense and quotable. You might have guessed we both enjoyed it.
How did Seán feel about the new concept of reading on the beach? What is Brian's dramaturgical analysis? Needless to say it all breaks down into the most Broad Appeal conversation ever: A debate over Jodie Foster's Oscar dress.
Please return your tray tables to their upright positions: here comes Jackie Brown.
Clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks).RE-ISSUE: The Portrait of a Lady - BA028
August 01, 2018 08:46 PM PDT
[On our summer break we happened to be in Lucca, Italy - and we also happened to stumble across one of the actual palazzos that Nicole Kidman walks through in Jane Campion's film!! That seredipitous event indicated it was time to share this vintage episode from our literary adpatation series....]
n which Brian & Seán read extended passages from Henry James and marvel at Barbara Hershey's collagen-injected lips.
For the first in our series of female-driven literary adaptations, we tag along with Isabel Archer (Nicole Kidman) as she fends off the advances of several suitors, only to get caught in a web of European marital treachery.
We spent a year reveling in the excruciatingly exquisite prose (and campy dialogue) of THE PORTRAIT OF A LADY. Now we see what happens when visionary director Jane Campion puts this literary classic through her feminist Cuisinart. Masturbatory fantasies, talking vaginal beans and bucketloads of bibelots await!
Clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks).RE-ISSUE: Mermaids-BA019
July 18, 2018 11:23 PM PDT
[There's one only exciting thing about MAMMA MIA 2.... MORE CHER! So, during our hiatus here's a classic look back at one of her previous summer releases.]
A film about sexual sublimation, religious fervour, sisterhood and starring Winona Ryder... how has Brian never seen MERMAIDS (1990)?! Seán has, of course, because Cher.
Winona is Charlotte Flax, the Jewish girl with a flare for romantic Catholicism who desperately tries to be the responsible one, sandwiched between her aquatic kid sister Christina Ricci and her nomadic, flirtatious mother, Cher.
MERMAIDS may have the cheese factor of a ripe Taleggio, but this coming-of-age story is bolstered by the gorgeous and warm performances of these three gifted women. Seán had forgotten how much this film impacted his adolescence, and is ready to dive back in. But is Brian willing to put down his Proust and Shoop, Shoop?
Warning: Contains sexualised Bob Hoskins references. Listener discretion is advised.
All clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks)RE-ISSUE: Male Gayz-Cruising-BA021
July 05, 2018 03:45 AM PDT
[It's our summer hiatus, but it's also London Pride this weekend, so we're taking you into the backroom with Al Pacino and hundreds of horny men with a favorite vintage episode from our "Male Gayz" series!]
Get your ass into cruise control, boys. Seán and Brian are back with our new miniseries - Broad Appeal: The Male Gayz. We've ditched the chicks and are hanging back with the brutes for seven whole episodes.
We kick off with a re-evaluation of sleazy, sketchy and sloppy(?) sex-sesh CRUISING (1980), directed by William Friedkin who having dealt with the devil in The Exorcist, confronted audiences with something much more demonic: LEATHER.
Al Pacino plays an undercover cop who huffs too many poppers in his quest to find a killer at large on the gay S&M scene. It's explicit, it's weird, it's QUEER. But is it any good? Grab your chaps and let's find out.
All clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks)RE-ISSUE: Contact - BA016
June 20, 2018 11:48 PM PDT
[With Jodie Foster back in theatres with "Hotel Artemis," here's a summer hiatus flashback to one of our favorite past episodes... Are you OK to go????"]
What's more plausible: the existence of God or intelligent alien life? Frankly, both are more believable than Jodie Foster's romance with Matthew McConaughey in CONTACT (1997).
Jodie is Ellie Arroway, a scientist so brilliant and dedicated to her cause that no-one, and we mean no-one, seems to realise she might be an actual expert on this stuff.
Watch how men of the 90s mansplain extraterrestrial life, God, government funding and who knows what else to one of the powerhouse actresses of the decade.
Will Seán warm to Brian's 'space-is-profound' type of sci-fi, or have his own crisis of faith? There can be miracles, when you believe...
P.S. Angela Bassett.
All clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks)RE-ISSUE: Damage-BA014
June 06, 2018 10:59 PM PDT
[During our summer hiatus, we're bringing you back to some of our favourite episodes from seasons past. After our last Good/Bad/Crazy, we thought we'd return to our first encounter with Juliette....]
Juliette Binoche f**ks Jeremy Irons, but also f**ks him up in the British/French erotic drama "Damage" (1992).
A tale of desire and obsession, this film by Louis Malle leaves us ruminating on our own sexual awakenings in cinema and searching through Greek myth, French existentialism, and Freudian theory to penetrate the dark, dark heart of these morally ambiguous characters.
With a standout turn by Miranda Richardson as the jilted wife, this film has enough heavy breathing and histrionics to spice up any European Union.
May 24, 2018 11:22 PM PDT
It’s 1986 and a sexually-transmitted retrovirus is killing off young people. A massive pharma company have a vaccine in development that they won’t release, until a band of misfits break in to liberate it… Sound familiar? It is and it isn’t. The sophomore feature from French enfant terrible Leos Carax is a heady, swoony, futuristic Nouvelle Nouvelle Vague oddity, for which (Carax’s then-girlfriend) Binoche garnered her first César nomination. The real star is the film’s ever-shifting aesthetic that encompasses cartoonish absurdism, music video, spectacle and lyricism in equal measure.
Alex (Denis Lavant) is a juvenile delinquent caught up in the vaccine heist but whose “amour fou” for the unavailable Anna (Binoche) has him completely pent up. You see, in this alternative future, anytime you “make love without love,” you risk death. This is a caper that is full of ideas, emotions and set-piece scenes (like Juliette herself - not a stunt woman! - dangling from an airplane!!!). If it left us scratching our heads at times, it also prompted reflections on the pure beauty of the moving image and the irrational risks we all take to achieve…. Modern Love.
Clips from the film presented according to fair use policy. Podcast Theme: "Pipeline" by CyberSDF (https://soundcloud.com/cybersdf/tracks).Juliette Binoche Bad - Chocolat - BA052B
May 23, 2018 11:46 PM PDT
Sometimes a brown, gooey substance is sweet, delicious, even spiritual. But sometimes it’s actually just…. All the cacao in an ancient Mayan temple could not flavour this cynical, derivative Miramax joint from 2000 which somehow received five Oscar nominations, including BEST PICTURE??! Harvey Weinstein’s committed a lot of crimes, but aesthetically this one takes the fudge-filled (sludge-filled?) cake.
Juliette is a mystical stranger who arrives in a fairytale French village - where everyone, even the French actors, somehow speak in English!! She’s got a daughter who sees imaginary kangaroos, some bon bons that can apparently change your sex life, and a spinning pagan disc that hypnotises everyone she meets into joining her cult… er, enjoying the pleasures of chocolate. Judi Dench slowly destroys her diabetic pancreas through constant truffle-eating, Johnny Depp listlessly invokes both the hairstyle and the accent of Bono, and Alfred Molina has nothing better to do during Lent than to lead a boycott against Juliette and her life-giving chocolate shop. THAT IS SERIOUSLY THE PLOT. Cynical, saccharine and soporific, CHOCOLAT is a film without sweetness and very definitely the worst viewing experience we’ve had so far.
May 23, 2018 01:11 AM PDT
Quick: name an Oscar-winning actress who’s worked with both Godard AND Godzilla. THERE IS ONLY ONE. Having been on international screens for three decades, Juliette Binoche has matured more gracefully than a vintage Bourdeaux, acquired more ripe notes than a cave-aged Gruyère. Take a look at the whole career from the dewy, sexualized ingénue of DAMAGE to the earthy middle-aged diva of SILS MARIA, and it is clear: JB is the Actress of Actresses.
She’s bared both her flesh and her soul for countless auteurs, but she’s perhaps never been asked to carry a film quite so completely as she did for Krzystof Kieslowski in THREE COLOURS: BLUE. As a grieving widow thrown into a traumatised “liberté” that she never asked for, Binoche’s performance is mostly silent, often as cold as the film’s azure cinematography and as deeply felt as Zbigniew Preisner’s extraordinary score. Her Julie (like the continent of Europe itself) must confront the submerged pains of the past as she is hurtled forward into an uncertain future. That’s right: Juliette Binoche IS Europe. She is Cinema. She is Everything.Glenda Jackson Crazy - Salome's Last Dance - BA052C
May 11, 2018 12:33 AM PDT
By 1988, Glenda had made six films with Ken Russell including THE MUSIC LOVERS and WOMEN IN LOVE. But though Ken didn't quite have the clout he once did, Glenda was still loyal and totally game for this high-camp, theatrical, romp complete with loads of boobs, dildo-spears, and some baffling full frontal nudity. Glenda (braying, bilious and bejeweled from head to toe) is Herodias, second wife of Herod Antipas, who has the hots for his niece/step-daughter Salome, who in turn has the hots for John the Baptist. Now imagine all this being acted out in front of Oscar Wilde himself, by a cast of bootboys and skivvies. MARAT/SADE seems tame by comparison. We discuss Ken Russell, Wilde, our own personal nudity, and the Gospels, of course.
Broad Appeal is Seán McGovern and Brian Mullin, two obsessive gay boys with an all-encompassing love of actresses. Listen every 2 weeks for some irreverent, incisive and engaged entertainment. Our current season: THE GOOD, THE BAD AND THE CRAZY looks at career spanning moments of some of our favourite actresses.
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